180 Review:180 Movie Review: 180 Telugu Movie Review: After a series of flops, Siddharth is desperate to prove that his 180 review is positive. Siddharth wants to strike back with good 180 movie review and set things alive in Tollywood. To find out how far Siddharth was successful, we need to get into 180 Telugu movie review.
180 Movie Story
Drawbacks
Technicalities
On the technical aspects, Bala Subramaniem's cinematography is brilliant. The shots captured using the RedOne camera stupendous. Music director Shareeth has done a reasonably good job, in fact couple of songs are very good.
Final Word on 180 movie review
180 movie review is not bright and promising. Although Siddharth's performance is pretty commendable, the slow narration and unconvincing screenplay might hamper the movie's tenure at the box office, particularly at B and C centers
180 Movie Story
Siddharth performs the last rites of his kin in Varanasi, where he sees a small boy also performing his father's last rites and then happily playing with his toy car. Siddharth then realizes the philosophy of life, which is not worrying about death but enjoying every day to the fullest. Cut to Siddharth, he is leading a very happy life in Chennai. A press reporter (Nithya Menon) will be fascinated by Siddharth and slowly turns that relationship into love and proposes him. But Siddharth negates her and tries to run away. In this process, Nithya Menon meets with an accident and this forces Siddharth to take her to US for treatment.
Cut to flashback, Siddharth is a doctor in US and has a deeply loving wife Priya Anand. 3 months after their marriage, Siddharth is diagnosed with a disease where he has just only 180 days (6 months) to live. Siddharth then makes Priya Anand believe that he has committed suicide and he never plans to go back to US but destiny brought him back. What will Siddharth do then? What happens to Priya Anand and Nithya Menon? And how does Siddharth follow the life philosophy taught by the Varanasi boy forms the rest of the story.
Analysis
Ad filmmaker turned director Jayendra could not weave a convincing anecdote and as a result Siddharth 180 movie review has fumbled at the box office. Jayendra did not inject the enigmatic spirit, under-current vulnerabilities and break-the-shackles attitude type of characters and left the audience wooing at the script. Teenyboppers will not find any elopement episodes, which is already visible in the trailers but the director could not convince the audience with the acts of the lead protagonist.
180 movie story deviates on certain attributes like absence true relationships and conflicts in real life. Siddharth once again shoulders the entire responsibility of the film. His character is etched with confusing emotions, coupled with very slow narration makes life difficult for the audience. Siddharth looks chivalrous in the opening, jovial in the middle, serious lover after that and a true lover in the end. However, in this process, the entire concept of death 'sentiment' has been overlooked. Its understandable that the movie's is communicating a message (through Siddhartha's death) that life is all about enjoying everyday to the fullest but that doesn’t mean that you take death too lightly where Siddharth emotes all kinds of expressions.
TeluguOne Perspective
Dealing with a script that has a direct relation with the death is very challenging, particularly when the audience know that the lead protagonist will die. There was heavy dosage of emotions but they were not connecting because of the 'not so credible' dialogues. But what's good to see is the story narration traversing between two eras of Siddharth's flashback episode and current life but it might confuse the audience. And all this might leave the masses in the backseat with higher inhibitions of the movie running in B and C centers.
The framework of director Jayendra is very good and he gave ample scope for all the characters but we have to say he failed to narrate in a gripping fashion. The first half of the movie looks humors with some peppy conversations between Ajay and Vidya. In the second half, Jayendra comes with an typical US lifestyle of Indians and also brings out a romantic angle between Ajay and Priya Anand. And eventually, the climax might be the best one to initiate debate on.
Performances
Siddharth once again comes with a good performance. His conversations with Nithya Menon and others during the first half is very humorous but once again he did the same mistake like he did for Oye movie – selected an unconvincing death sentiment script.
Nithya Meon has put on some weight but she looks ok as a press reporter her expressions during emotional sequences are very good. Priya Anand has shown lot of maturity and she has hog the limelight and at times even emulated Siddharth
Plus Points
Ad filmmaker turned director Jayendra could not weave a convincing anecdote and as a result Siddharth 180 movie review has fumbled at the box office. Jayendra did not inject the enigmatic spirit, under-current vulnerabilities and break-the-shackles attitude type of characters and left the audience wooing at the script. Teenyboppers will not find any elopement episodes, which is already visible in the trailers but the director could not convince the audience with the acts of the lead protagonist.
180 movie story deviates on certain attributes like absence true relationships and conflicts in real life. Siddharth once again shoulders the entire responsibility of the film. His character is etched with confusing emotions, coupled with very slow narration makes life difficult for the audience. Siddharth looks chivalrous in the opening, jovial in the middle, serious lover after that and a true lover in the end. However, in this process, the entire concept of death 'sentiment' has been overlooked. Its understandable that the movie's is communicating a message (through Siddhartha's death) that life is all about enjoying everyday to the fullest but that doesn’t mean that you take death too lightly where Siddharth emotes all kinds of expressions.
TeluguOne Perspective
Dealing with a script that has a direct relation with the death is very challenging, particularly when the audience know that the lead protagonist will die. There was heavy dosage of emotions but they were not connecting because of the 'not so credible' dialogues. But what's good to see is the story narration traversing between two eras of Siddharth's flashback episode and current life but it might confuse the audience. And all this might leave the masses in the backseat with higher inhibitions of the movie running in B and C centers.
The framework of director Jayendra is very good and he gave ample scope for all the characters but we have to say he failed to narrate in a gripping fashion. The first half of the movie looks humors with some peppy conversations between Ajay and Vidya. In the second half, Jayendra comes with an typical US lifestyle of Indians and also brings out a romantic angle between Ajay and Priya Anand. And eventually, the climax might be the best one to initiate debate on.
Performances
Siddharth once again comes with a good performance. His conversations with Nithya Menon and others during the first half is very humorous but once again he did the same mistake like he did for Oye movie – selected an unconvincing death sentiment script.
Nithya Meon has put on some weight but she looks ok as a press reporter her expressions during emotional sequences are very good. Priya Anand has shown lot of maturity and she has hog the limelight and at times even emulated Siddharth
Plus Points
- Visually appealing
- Camera work
Drawbacks
- Slow Narration
- Lack of griping screenplay
- Not convincing the death philosophy
Technicalities
On the technical aspects, Bala Subramaniem's cinematography is brilliant. The shots captured using the RedOne camera stupendous. Music director Shareeth has done a reasonably good job, in fact couple of songs are very good.
Final Word on 180 movie review
180 movie review is not bright and promising. Although Siddharth's performance is pretty commendable, the slow narration and unconvincing screenplay might hamper the movie's tenure at the box office, particularly at B and C centers
