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Showing posts with label jalsa fans. Show all posts
Showing posts with label jalsa fans. Show all posts

'Jalsa' breaks all the records

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It’s awesome. Incredible. Amazing. Jalsa’s first day collections have created a history of sorts with many records keep on crumbling.

Jalsa, the most anticipated film of recent times, has hit the halls today and it has more than lived up to the expectations. The grand opening was simply awesome with a collection of more then seven crore rupees all over the world.

Jalsa, featuring Power Star Pawan Kalyan and Ileana in the lead, was released all over the country and in major centres in foreign countries. The collection has created history by breaking many records. This is the highest collection in 76 years of Telugu film history and also the first for any regional film in south India in a single state.

Jalsa, directed by Trivikram, is released in record number of theatres (23) in Vijaywada and more than 1 lakh people watched the movie on Day 1 in the district.

The grandeur of the achievement could be understood by the fact that it has collected more than seven crores on the first day as opposed to the average collection of 8 crores for the big films during the first week.

Jalsa is heading towards an unprecedented success with the first day’s trend is expected to continue in the coming days.

Here goes the break up of the first day collections

S.No.

Area

Collection

01

Nizam

1,84,50,000

02

Ceded

1,35,75,000

03

U.A

92,00,000

04

Guntur

56,00,000

05

Krishna

55,00,000

06

East

60,00,000

07

West

40,00,000

08

Nellore

48,00,000

09

Karanataka

32,00,000

10

Overseas

36,00,000

11

Rest of India

21,00,000

Total

7,67,75,000

Jalsa, strictly for Pawan Kalyan's fans

Trivikram Srinivas's Midas touch has apparently hit a road block with his much hyped Telugu film starring Pawan Kalyan's Jalsa.

The film is neither an out and out Pawan Kalyan's film nor that of the ace director, who has given us some good hits in the past. While Trivikarm was successful in giving Mahesh Babu's flagging career a new lease of life with Athadu, he has failed to do the same for Pawan Kalyan.

First of all, there is no proper storyline and the screen play is totally disjointed making it seem like the director was in two minds while making the film -- one, to have his own brand of comedy which he is famous and two, to showcase Pawan Kalyan's abilities as an action hero.

This balancing act however has not paid off. For one thing, everything is shown in frivolous light, even serious subjects like law and order and naxalism are treated with scant respect. Apparently he did not do his homework.

The story is about a protagonist, Sanjay Sahu (Pawan Kalyan), an alcoholic who downs several pegs without batting an eyelid. He has a penchant for adding degrees (academics) and is in love with his colleague (Kamalinee Mukherjee). However, the girl's father is not in favour of the alliance and gets her married to another guy.

Parallel to this runs another story, that of villian Mukesh Rushi. He is a factionist who turns land grabber. He nurses an enmity towards Sanjay and the reason behind this is held back almost towards the fag end of the film.

Meanwhile Sanjay has two other girls falling for him -- Jyotsna (Parvati Melton) and Bhaghi (Illeana). The hero goes for Illeana, who is supposedly innocent to the extent of being ignorant. Sanjay is rejected once again. Incidentally Bhagi is the sister of Kamilini Mukerjee.

Meanwhile, the villain tries to corner Sanjay by kidnapping one of his cronies. However, Sanjay emerges successfully from this bind and it is at this point that another important facet of Sanjay's character is revealed -- that he was a reformed naxalite.

While one expects a decent turn to the film at this point, alas, the screenplay continues to drag.

Trivikarm's penchant to bring in comedy at every turn has failed to pay off. The travails of Sanjay and his family, hailing from a remote village are depicted in a passing manner. And the reasons for Sanjay's decision to join the mainstream are also not very clear.

Prakash Raj as the police officer appears a caricature and so is Brahmanandam, who is depicted as a head constable. The enmity between the hero and the villain is also not very well established.

Ali, Sunil, and Dharmavarapu in comedy cameos are okay. Illeana looks pretty as the rather not so bright girl, while Parvati Melton in her brief role sizzles.

Pawan Kalyan has done his job but he could have done better. His character lacks depth.

Music by Devi Sri Prasad is good and so is the choreography. The voice-over by actor Mahesh Babu is very good, too.

All in all, Trivikram's Jalsa is no great shakes. Strictly for Pawan Kalyan's hardcore fans.

Jalsa

Gamyam

Jalsa

First day, First show…I was initially apprehensive about going to Pavan Kalyan’s movie as I did not have any particular opinion about him and moreover there were the crazy fan associations to think of. But finally we landed at the theatre totally enticed by Devi’s rocking tunes. The cool songs and energetic beats had me wishing to check out the picturization as soon as possible and BOY, it sure was awesome. Trivikram, the director truly knows how to captivate his audience. In this movie we have Pavan jiving with 3 dames and bashing up villains with equal ease.

So starting off with the hero- Pavan excels in his role of an ex-naxalite who’s trying to lead a normal life and u’ve got to believe he actually has 3 degrees in the flick!!! He underplays his character and the story gives him optimum space to showcase varied emotions (after many days you actually get to see his acting prowess). The comedy scenes featuring him, Prakash Raj and Brahmanandam are the highlights.

You also get to see trivikram’s trademark fights (with the villains oozing blood at every possible opportunity) and the punch lines are perfect. Kaamalinee Mukherji features in a short cameo as pavan’s first love and she looks really cute. Parvati Melton doesn’t have much to do either but she does look sophisticated and suave. The toast of the movie is Ileana. This girl from Goa gets a very decent role and she manages to look innocent and sexy at the same time. Her habit of ‘being 10secs late every time’ is funny and her expressions and acting sure have improved a lot.

The music is another thing to rant and rave about- Devi has definitely matched up to his previous superhit audios like bommarillu and varsham. He gives us very fresh and fun songs and u’ll find urself humming them in no time. There are no double entendres and it’s nice to see that there haven’t been too many censor cuts either. The climax actually comes as a surprise and those who expect a dhamaka fight in the end could be disappointed. Mahesh babu’s voiceover suits the entire situation especially when there are any intense scenes. So he probably could take up this job too.

I wouldn’t like to reveal the story line as the movie has released only today and any spills could spoil the enjoyment.

It’s a movie worth watching with the whole family and I can still find myself recalling some of the dialogues and laughing out loud. Go watch it and have fun. It’s not always that u get to watch 3 heroines with one hero in a clean entertainer!!!

Jalsa, strictly for Pawan Kalyan's fans

Trivikram Srinivas's Midas touch has apparently hit a road block with his much hyped Telugu film starring Pawan Kalyan's Jalsa.

The film is neither an out and out Pawan Kalyan's film nor that of the ace director, who has given us some good hits in the past. While Trivikarm was successful in giving Mahesh Babu's flagging career a new lease of life with Athadu, he has failed to do the same for Pawan Kalyan.

First of all, there is no proper storyline and the screen play is totally disjointed making it seem like the director was in two minds while making the film -- one, to have his own brand of comedy which he is famous and two, to showcase Pawan Kalyan's abilities as an action hero.

This balancing act however has not paid off. For one thing, everything is shown in frivolous light, even serious subjects like law and order and naxalism are treated with scant respect. Apparently he did not do his homework.

The story is about a protagonist, Sanjay Sahu (Pawan Kalyan), an alcoholic who downs several pegs without batting an eyelid. He has a penchant for adding degrees (academics) and is in love with his colleague (Kamalinee Mukherjee). However, the girl's father is not in favour of the alliance and gets her married to another guy.

Parallel to this runs another story, that of villian Mukesh Rushi. He is a factionist who turns land grabber. He nurses an enmity towards Sanjay and the reason behind this is held back almost towards the fag end of the film.

Meanwhile Sanjay has two other girls falling for him -- Jyotsna (Parvati Melton) and Bhaghi (Illeana). The hero goes for Illeana, who is supposedly innocent to the extent of being ignorant. Sanjay is rejected once again. Incidentally Bhagi is the sister of Kamilini Mukerjee.

Meanwhile, the villain tries to corner Sanjay by kidnapping one of his cronies. However, Sanjay emerges successfully from this bind and it is at this point that another important facet of Sanjay's character is revealed -- that he was a reformed naxalite.

While one expects a decent turn to the film at this point, alas, the screenplay continues to drag.

Trivikarm's penchant to bring in comedy at every turn has failed to pay off. The travails of Sanjay and his family, hailing from a remote village are depicted in a passing manner. And the reasons for Sanjay's decision to join the mainstream are also not very clear.

Prakash Raj as the police officer appears a caricature and so is Brahmanandam, who is depicted as a head constable. The enmity between the hero and the villain is also not very well established.

Ali, Sunil, and Dharmavarapu in comedy cameos are okay. Illeana looks pretty as the rather not so bright girl, while Parvati Melton in her brief role sizzles.

Pawan Kalyan has done his job but he could have done better. His character lacks depth.

Music by Devi Sri Prasad is good and so is the choreography. The voice-over by actor Mahesh Babu is very good, too.

All in all, Trivikram's Jalsa is no great shakes. Strictly for Pawan Kalyan's hardcore fans

Jalsa Movie Review | Pawan Kalyan Jalsa Movie Review | Thrivikram Jalsa Movie Review - Kalyan Jalsa Movie Review - Telugu Cinema Movie Reviews

Jalsa Movie Rating: 4/5
Punchline
: more comedy.Love/Action
Type:
Straight
Banner:
Geeta Arts

Cast: Pawan Kalyan, Ileana, Parvati Melton, Kamalinee Mukherjee, Prakash Raj, Mukesh Rishi, Sivaji, Brahmanandam, Ali, Sunil, Dharmavarapu

Music: Devi Srii Prasad
Cinematography: Guhan & Rasool Ellore
Lyrics: Sirivennela, Bhaskarabhatla & Ramajogaiah Sastri
Action: Vijay
Editing: Srikar Prasad
Dialogues - story -screenplay – direction: Trivikram
Producer: Allu Arvind

Release date: 2 April 2008

Review

Story

Jalsa Sanjay Sahu (Pawan Kalyan) is a happy-go-lucky type youth. Bhagyamati (Ileana) falls in love with him and Sanjay accepts her proposal after waiting for a while. Meanwhile, the men of Damodara Reddy (Mukesh Rishi) -a factionist operating from a jail - keep hunting for Sanjay Sahu. The rest of the story is all about why Damodar Reddy is after Sanjay and how Sanjay reacts to it.

Artists Performance

Jalsa Pawan Kalyan: Pavan Kalyan is extremely energetic as Sanjay Sahu. He did fresh dialogue modulation to create good humor. Everybody had a doubt about Pawan Kalyan performing to the Trivikram's punches and I must say that Pawan Kalyan excelled in getting the Trivikram dialogues right. He did not mind uttering satire on his 'pulla kallu'. He also did fights really well. Pawan Kalyan is looking dashing in Che Guevera get-up during his naxalite days.

Mahesh Babu: Mahesh Babu should be commended for giving voiceover to the narration of the film. It is a very good gesture by Mahesh Babu and this kind of culture augurs well for the Telugu film industry. Mahesh Babu did it in his usual style with an undercurrent wit.

JalsaHeroines: Ileana did the role of confused and dumb girl. She is alright. It is a passive role for such a vivacious actress like Ileana. Parvati Melton is sexy to the extent that she dominated Ileana in all the scenes where they were together. Kamalinee Mukherjee did a cameo and she is good. Actor Sivaji did a small role.

Others: Brahmanandam will have you in splits again in the second half of this film for some time. Mukesh Rishi is very good as a villain with a different get-up. Prakash Raj is ok as the father of the heroine. Sunil is nice. Ali and Dharmavarapu are adequate.

Technical Departments:

JalsaStory - screenplay - direction: The basic storyline of the film is wafer-thin. It is a love story of a reformed naxalite who is forced to confront a bad man. Trivikram excelled in dialogue department and penned many episodes catering to comedy segment. But as a script writer, he failed to do justice to the texture of the film. The film is pretty neat in terms of the comedy department. But he could not fix the narrative into any one particular genre. The screenplay should have been better. The director who made hero reveal about his downtrodden past and social commitment through the dialogues before interval could not match it with the characterization of hero in the second half. Trivikram did very good in technical aspects in terms of sets, camera angle etc.

The following scenes are pretty impressive:

1. Pawan Kalyan antics while meeting Prakash Raj with proposal for twice.
2. Pawan Kalyan splitting milk with Brahmanandam
3. Pawan Kalyan giving 10 rupees note to Brahmanandam. (best comedy thread in the entire film)

The following scenes seem to have got inspired by some other films

1. Mukesh Rishi calling off hero assassination at the last minute (Bill calling Elle Driver back when she is about to inject poison in the body of Uma Thurman)
2. Pawan Kalyan – Prakash Raj jungle episode (Noman's land and Kabul Express)
3. Sivaji's food allergy (Hitch film)

JalsaOther departments: Dialogues are superb. Music by Devi Sri Prasad is very good. Background score is also nice. All the songs are picturized in an attractive manner. However, Jennifer Lopez song appears to have been inserted just for the sake of Parvati Melton. Jalsa title song is placed during the climax of the film instead of the beginning. Cinematography is very good. Editing is cool. Fights are composed well. Production values of the film are extravagant.


JalsaAnalysis: First half of the film is packed with nice entertainment though there is no story. The second half should have been better. The plus points of the film are Pawan Kalyan, hilarious dialogues and rich technical values. The negative points are screenplay, naxalite element and excessive runtime. There is no justification to the title 'Jalsa'. On a whole, you may consider watching Jalsa for the comedy episodes in the film.

Jalsa Movie Review | Jalsa Movie | Pawan Kalyan Jalsa Movie Review

Rating: ***** (***** Very Good, **** Good, *** Fair, ** Average, * Bad)

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Introduction:

Jalsa, which ripped out huge expectations thanks to the heavy promotional strategies, including a Game show. Pawan Kalyan, after a long time, came with Kushi-like mannerisms. Racy stunts, similar songs and music for all numbers, scenes shuttling between the hero and villain, sporadic comedy is all about Jalsa. Levels of entertainment are Good

Synopsis:

Sanjay Sahu (Pawan Kalyan) hails from a poor rural family at remote village in Karimnagar district . His brother dies of heart disease as a child. His father commits suicide as crops fail and his mother too is no more soon. While going to burial ground, he repeatedly slips and swoons at a stone pillar. He plucks it out, which enrages the henchmen of a land-grabber Damodar Reddy (Mukesh Rishi). When they attack him, Sahu beats them to near-death, and disappears into a forest and joins the naxalites. During a combing operation, Sahu and a police officer (Prakash Raj) meet each other and become good companions under strange circumstances. Sahu comes to Hyderabad and duly rehabilitated as a college student. The police officer's younger daughter Bhagi aka Bhagmati (Ileana) falls in love with Sahu. However, the cop is not willing to sing his daughter's marriage with Sahu, whom he thinks as a carefree youth without commitments. Meanwhile, Damodar Reddy is out on a vengeance mission against Sahu, as his lands are distributed among the rural poor by the naxalites. Now, the police officer wants to get his daughter married to a decent young man (Sivaji), but he soon realizes that he is none other than the younger son of Damodar Reddy. How does Sahu accomplish the task of undoing Reddy's attacks and winning the hand of Bhagi? It forms the climax.

Performance:

Pawan Kalyan steals the show from the start to finish. He shoulders the entire responsibility of doing something now and then to create the mood of Jalsa. However, his characterization suffers from reaching a full dimension. The hero falling in love with the elder daughter of a police officer and later asking the same man to give his younger daughter might sound funny, but is a blot coming to hero's characterization. After the interval bang, everybody expects some serious action on the part of the hero. All there are three heroines – Ileana, Kamalinee Mukherjee and Parvati Melton. All of them are strictly limited to oomph-less glamour, with some saving grace from Ileana. Parvati Melton looked too heavy besides Pawan Kalyan. Mukesh Rishi played the hardcore villain of the piece. But, his villainy is dramatic. Prakash Raj appears as a police officer (SP). Sivaji as usual did a small role as a bridegroom. You have comedians – Sunil, Brahmanandam and Ali. But, there are lot of scenes to tickle our ribs.

Technical Details:

Mahesh Babu's voice over is good. Coming on three occasions, the voiceover becomes a major deviation. Though it is used in a serious tone, the episodes and the happenings later do not match the tone.

Dialogues are Good. The hero refers to the name of Chiru on a couple of occasions aiming his verbal attack against the henchmen of his rival. He also sings the song – Nenu Saitham. At the interval bang, his long dialogue delivery – taking deep breaths now and then – resembles of the actor's recent outburst in TV channels, targeting the corruption in society. There is a punch-full on the road conditions in the state at the climax.

Music by Devi Sri Prasad sounds the good & people enjoyed a lot in all songs.

Stunts are good but routine in all sequences. The episode, in which the hero plucks the stone pillar and attacks the baddies, is a good watch, packed with emotion too.

Comedy is Good. Brahmanandam's role turns miserable and gives a painful touch in comedy – Sunil-Ileana-Dharmavarrapu episodes are Good.

Final Verdict :

Jalsa is good and you will enjoy a lot till the end of the movie.

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